There and Back Again
The Decemberists - Shankhill Butchers
150 plays
notsoinnocentalchemist:

trytoswimtostayfloat:

stay-ocean-minded:

honorized:

dreamsof-paradise:

Every single person needs to reblog this. No, it will not ruin your blog, it will make it a million times better. 

So much respect. And sadness. He’s trying so hard to stay strong.

i’m tearing :/

wow

No, no, this is horrible. You see, the flag will go to the husband or wife of the deceased soldier as next of kin. This flag is going to the son.
Both of his parents are gone.

notsoinnocentalchemist:

trytoswimtostayfloat:

stay-ocean-minded:

honorized:

dreamsof-paradise:

Every single person needs to reblog this. No, it will not ruin your blog, it will make it a million times better. 

So much respect. And sadness. He’s trying so hard to stay strong.

i’m tearing :/

wow

No, no, this is horrible. You see, the flag will go to the husband or wife of the deceased soldier as next of kin. This flag is going to the son.

Both of his parents are gone.

dotcore:

The Essential.by Brice Savina.

dotcore:

The Essential.
by Brice Savina.

tokachiku:

hardcoreandmetalbitch:

One of the best scenes of Malcolm in the Middle ever.

that fucking kid took one for the team

queenelizabeth-jpg:

Eliza Bennett - A woman’s work is never done, 2011Using my own hand as a base material, I considered it a canvas upon which I stitched into the top layer of skin using thread to create the appearance of an incredibly work worn hand. By using the technique of embroidery, traditionally employed to represent femininity and applying it to the expression of it’s opposite, I hope to challenge the pre-conceived notion that ‘women’s work’ is light and easy. Aiming to represent the effects of hard work arising from employment in low paid ancillary jobs such as cleaning, caring, and catering, all traditionally considered to be ‘women’s work’.

queenelizabeth-jpg:

Eliza Bennett - A woman’s work is never done, 2011

Using my own hand as a base material, I considered it a canvas upon which I stitched into the top layer of skin using thread to create the appearance of an incredibly work worn hand. By using the technique of embroidery, traditionally employed to represent femininity and applying it to the expression of it’s opposite, I hope to challenge the pre-conceived notion that ‘women’s work’ is light and easy. Aiming to represent the effects of hard work arising from employment in low paid ancillary jobs such as cleaning, caring, and catering, all traditionally considered to be ‘women’s work’.

ominousallure:

accurate representation of the last 4 years of my academic life

ominousallure:

accurate representation of the last 4 years of my academic life